二砚很爱笑（アーイェン）
二砚很爱笑（アーイェン）
Profile
Photographer / Blogger Wang Ziyan is a bright and energetic photographer with a love for travel and visual creation. She specializes in fresh, gentle portrait work and travel photography that captures people in natural, uplifting moments. Rather than relying on rigid poses, she prefers to move freely, break away from fixed compositions, and capture spontaneous moments along the way. Her work preserves the relaxed, vivid atmosphere of travel, allowing each photo to hold the unique emotion and everyday warmth of that moment. A longtime Canon user, she brings years of shooting experience and practical knowledge to her work.
About the Video
This film was inspired by a heavy rainstorm on the day of the shoot. It disrupted my original plan to capture “the colors of Beijing,” but as I was feeling discouraged, I suddenly noticed that the spring-filled park in front of me had been washed by the rain into a deep, ink-like green. That became the first “color” in the video. With this concept, I wanted to turn the everyday sounds we often overlook into a visual experience of color. Falling rain, rippling water, the sound of wind, crowds, and laughter all take shape as different tones and emotions, weaving together into a layered and colorful visual piece.
Key Points / Highlights
For this film, I focused more on pre-production and shooting than on relying heavily on post-production. I enjoy a more spontaneous approach to creation. When an idea suddenly comes to me, I first build a simple shooting outline, then let the concept grow and evolve on location as I film. I believe everyday life is full of small moments that quietly move us. To discover those moments through the camera, I experimented with different camera positions and focal lengths within each scene. In the edit, I paid close attention to how the shots connect, the composition of each frame, and the natural feeling of the colors. Because of that, I tried to capture usable images on set and avoid depending too much on post-production to fix the footage later.
How I used the EOS R50 V
For this shoot, I used the EOS R50 V with three lenses: the RF 24-105mm F4 L IS USM, RF 7-14mm F2.8-3.5 L FISHEYE STM, and RF 35mm F1.4 L VCM. I used the RF 24-105mm F4 L IS USM for a wide range of shots, from wider compositions to tighter details, while the RF 35mm F1.4 L VCM was mainly used for portraits and still-life close-ups. The fisheye lens was used to capture more playful and visually distinctive shots. I also made use of many of Canon’s built-in filters depending on the scene. They gave the footage a beautiful color and atmosphere straight out of the camera, making the images feel expressive even before post-production.
First Impression of the EOS R50 V
Although the EOS R50 V has a compact body, it delivers excellent performance. Even when shooting outdoors in rainy weather, it was light enough to use handheld with one hand without feeling like a burden. Most of the shots in this video were filmed by placing the camera on a tripod and filming myself, but even when I was moving, the camera focused on me quickly and accurately. Image quality also remained reliable in low-light situations, including rainy weather, indoor scenes, and nighttime shooting. The built-in filters created a strong atmosphere, and by matching them to different scenes, I was able to get expressive footage straight out of the camera. This reduced the amount of color grading needed in post and greatly improved my editing efficiency.